The house has been reconstructed from a rough structure originally connected to a group of surrounding houses with a stylistic form corresponding to the early nineties. The starting point was to carry out the reconstruction through an autonomous script, which in romantically tuned houses is characterized by opening up to the street via French windows with shutters and the possibility of enclosing the shaded plinth on the ground floor. This contrasts with the glass surfaces of the bright interior on the second floor and the colorfully composed walls and stone elements. Thus, a simply organized concept emerges, rational, even austere, internally contemporary as well as pre-romantic in its foundation. The living space on the second floor features a precisely treated interior with a beam ceiling. It communicates with the contrasting surroundings through windows facing a quiet street with front gardens without fences.
The created semi-public forecourt, with a shared tree, scale, and choice of materials, allows the house to fittingly enter the neighborhood. The glass surfaces provide a view over the adjacent gardens. From the apparent functionalist association and the civil expression of the object, the author aligns the overall internal arrangement, surface treatment, and layout solutions with much older classical architectural starting points: on the first floor, a hall with a fireplace on a stone floor, leading to an enfilade of bedrooms ending with a statue in the garden, and a hall space on the second floor overgrown with grapevines, using natural materials, greenery, sgraffito, and sculptures.
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