Fluid Vehicle - bus stop

Our main goal was the Hydra-Pier. However, along the way, we photographed a more interesting realization. The Hydra-Pier was created as a snobbish space on the lake for showcasing top design and enjoying a cup of coffee. The bus stop in front of the hospital was created as an emergency shelter made of polystyrene and fiberglass. One thing both buildings have in common is that it is finally possible to bring bold computer models to reality without bankrupting the client. The pioneering days are behind us. It’s just a shame that Friedrich Kiessler didn’t live to see today’s times. Or could it be that he reincarnated into Kase Oosterhuis?
Ex post, I am looking for information about the construction. Home page Maurice Nio greets you with a not-so-positive motto. He also has his biography available in a Chinese version, but information about Fluid Vehicle is only in Dutch. Next in line are the Italians, who have seemingly stolen or "borrowed" everything in the field of architecture apart from Domus and Renzo Piano. Even so, I am grateful for the English translation of the review. In conclusion, I found a few flash animations. The stop was put into operation at the beginning of this year. It stands in the middle of the square in front of the hospital and serves as a transportation hub of regional significance. Buildings of this kind tend to be neutral. Zaha Hadid set new criteria with her stop in Strasbourg, which Mirjam Galje, Henk Bultstra, and Maurice Nio further developed—more generously and with less asceticism. The object was designed in the spirit of Oscar Niemeyer (a cross between modernism and baroque), is entirely made of polystyrene, and is the largest building made of synthetic material (50m x 10m x 5m). The limited budget did not allow for the use of classic polyester construction methods. People often wonder what the shape of the building is supposed to represent, and many answers come to mind. Each assumption is both correct and irrelevant at the same time. Just like on the white face of a Geisha, any opinion or idea can be applied to the building, and it still does not have the answer to itself.