Cantonal museum of fine arts Lausanne

MCBA - Musée cantonal des Beaux-Arts de Lausanne

Cantonal museum of fine arts Lausanne
Spoluautor:Pieter Janssens
Address: Place de la Gare 16, Lausanne, Switzerland
Contest:2011
Completion:2016-19


"The new art museum in Lausanne is nearly unique in its abstractness and dignity, with its calm and rhythmic appearance. The entire building is permeated with incredibly fine and detailed processing of bricks as a key material. Monumental interiors with confidently conceived details intertwine with internal functions and spatial divisions, some elements of which you will find again in the exterior. The sophisticated, European, and strictly modern design made of massive bricks connects the local technical-industrial history with the buildings made of light stone standing in Lausanne, creating an almost paradigmatic place of cultural exchange. The façade acts like a monumental brick story, where homogeneity yields to well-mastered proportions, and upon closer inspection, it possesses a fascinating liveliness. It is a piece of history that tells how to fully utilize the potential of brick.”
statement of the jury of the Fritz Höger Award 2020
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The project aims to transform an area of Lausanne into a new arts district, centred around the city’s three main museums: Fine Arts, Photography and the Museum of Design and Contemporary Applied Arts. All this activity is sited within a very complex urban setting, affected by old railway yards currently in a state of disuse.
As for the urban strategy, the decision to unveil this part of the city and connect it with the Station Square entails sacrificing the 19th-century building that exists on the site to generate a new public space. The idea is for the three new buildings to gravitate around this open space and to be understood as a single entity. The design features a collection of found fragments, incorporating them from the start. The building’s new foyer emerges from the end facade of a former train shed like an objet trouvé. This ultimately becomes the design’s main compositional element from which the museum’s entire programme comes to life. Hence, elements such as this facade, some stretches of train tracks or the arches of the northern wall act as spring mechanisms to trigger the memory of the place and allow it a clear presence within the ensemble.
As in a large industrial factory where structure takes priority over the composition of facades, the building can be defined as an inhabited wall that separates, with precision, the industrial world from the new public space.
This project is based on an apparently contradictory equilibrium between the specificity of the place and the formal autonomy of the building, which is conditioned by its solitary situation. Structure, programme and construction converge in a unitary conglomeration, demonstrating its validity and functionality despite the context’s transformation.
Estudio Barozzi Veiga
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