Essl Museum

Albertina Klosterneuburg

Essl Museum
Architect: Heinz Tesar
Collaboration:Elis Hackaj, Luis Sampedro Perera
Address: An der Donau-Au 1, Klosterneuburg, Austria
Investor:SE Sammlung Essl GmbH
Completion:1999, 2018
Area:4215 m2


In 1976, Austrian entrepreneur Karlheinz Essl founded the building materials retail chain Baumax, which operated 24 supermarkets in the Czech Republic. From 1985, Essl's company was headquartered in Klosterneuburg, a northern suburb of Vienna. The successful business career allowed the Essl couple to invest in art, which was initially exhibited in the administrative building Schrömer Haus designed by Heinz Tesar between 1985 and 1987. For the ever-growing collections, there was a need to design a separate building, which was named after its founders - Essl Museum. Heinz Tesar was again commissioned with the design, and the museum, offering 3,200 m² of exhibition space, was ceremoniously opened on November 5, 1999. In 2011, the collection numbered over 7,000 pieces and represented the largest private collection of modern art in Austria (Museum Liaunig - the second largest private collection in Austria is approximately half that size). In 2013, Baumax began to face its first financial difficulties, which gradually led to the closure of all 150 branches and the sale of buildings to competing DIY stores over the next two years. In 2014, Austrian businessman Hans Peter Haselsteiner acquired a majority stake in Baumax's art collection, entrusting the items to the Vienna Künstlerhaus. On July 1, 2016, the Essl Museum had to close for financial reasons, but after nearly eight years, it was reopened on April 9, 2024, under the new name Albertina Klosterneuburg. The museum no longer bears the founders' names, but there is still a portrait of the Essl couple in the entrance lobby, and they can be seen every weekend at the nearby evangelical church, which was also designed by Heinz Tesar.
Petr Šmídek, August 2024
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In the immediate vicinity of Vienna lies the city of Klosterneuburg, which, in addition to the Augustinian monastery from the 12th century, baroque remodeled by Charles V, hides another treasure - the largest collection of contemporary Austrian art. To present the collection, a museum was built in Klosterneuburg by architect Heinz Tesar.
The founder of the collection and the museum is Karl Heinz Essl, a successful entrepreneur, owner of the Baumax building materials chain. Since the 1960s, he and his wife Agnes have created an art collection that today comprises around 6000 exhibits. The focus of the collection is Austrian art from the second half of the 20th century, mainly painting, and since the nineties, the collection has also been supplemented by art from around the world, including various media. They were motivated by the desire to create a contemporary art collection through their own private initiative and present it to the public both domestically and abroad, as this period was regrettably neglected by the state due to bureaucratic, financial, or political reasons, as Karl Heinz Essl points out.
Originally, the headquarters of the company, the so-called Schrömer House, also designed by Heinz Tesar in 1986, served as an exhibition space. After unsuccessful negotiations with museums in Vienna about integrating and exhibiting the collections, Karl Heinz Essl decided to build his own depot, from which the idea of a private museum gradually evolved.
The museum has a triangular floor plan with two main wings and an inner courtyard. The depot is located on the ground floor, while the exhibition halls are on the first and second floors. Tesar mainly combines concrete with white plastered walls, in both the exterior and interior. The exhibition halls, covering an area of 3500 square meters, are bright and spacious, partially trying to utilize natural light. The exhibition spaces are dynamically interconnected, linked by an atypical element, the "rotunda." The depot and restoration workshops on the ground floor occupy 2500 square meters; in addition, the museum features a studio for workshops and educational programs, a library, and a café.
Overall, the building appears fairly compact. This impression may be evoked by the compact, minimally segmented façade, the courtyard that closes off in a triangular shape, and the entrance set relatively deep into the building. In contrast, it is spacious and bright on the inside. The wave of the side façade mimics the nearby stream and creates an interesting curvature in the main exhibition hall, in which the space seems to recede.
A note for potential visitors, a shuttle bus departs from the center of Vienna near Albertina every 20 minutes to the museum.
Helena Doudová, 2008
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radilka
05.11.09 06:53
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